Arts Administration
Ph.D. Alumni
-
PERFORMANCE ART; RELIGIOUS PRACTICE; ARCHIVES AND THE GREAT LAKES
-
JEWISH FOLKLORE AND THEATRE HISTORY; JEWS AND JEWISH WOMEN IN VAUDEVILLE AND POPULAR CULTURE; HOLOCAUST TOURISM
-
REALISM AND NATURALISM; THEORIES OF DRAMA AND PERFORMANCE; SHAKESPEARE ON FILM; FIGURES AND ARCHETYPES OF THE DRAMA; DRAMA AND THE NEWS; LAW AND PERFORMANCE; ARGENTINE TANGO
M.A. Alumni
-
DANCE; PSYCHOANALYSIS; PHILOSOPHY; FEMINISM
-
ALTERNATIVE MEDIA AND SOCIAL MOVEMENTS; FILM FESTIVAL RESEARCH; DIGITAL DIGNITY; CAPOEIRA
-
MUSIC; SOUND STUDIES; FICTION; LANGUAGE; PERFORMATIVE WRITING; FEMINIST THEORY; CURATORIAL STUDIES
-
PARTICIPATORY ART; IMMERSIVE THEATRE; VIRTUAL PERFORMANCE; SPECTATORSHIP; QUEER AND FEMINIST STUDIES; ARTS CRITICISM AS PERFORMANCE
-
NON-HUMAN PERFORMANCE/DIGITAL PERFORMANCE/INTERCULTURAL THEATRE/SOMATICS
-
DANCE STUDIES; FEMINIST THEORY; BLACK FEMINISM; THEORIES OF RACIAL AND MULTI-RACIAL IDENTITY, AFFECT STUDIES, BLACK PERFORMANCE, AND THE CURATION OF DANCE FESTIVALS
-
PERFORMANCE THEORY; THEATER HISTORY; MUSEUM STUDIES; DECOLONIAL STUDIES; QUEER THEORY
-
THEATRE STUDIES, TRANSLATION STUDIES, BILINGUALISM AND COGNITIVE DEVELOPMENT, LATIN AMERICAN AND IMMIGRATION STUDIES, FEMINIST STUDIES, POLITICS IN PERFORMANCE AND TRANSLATION, PERFORMANCE THEORY
-
DIRECTING PRACTICE; THEATRE IN TRANSLATION; THE AVANT-GARDE
-
PERFORMANCE AND LAW; DISCOURSE THEORY; POPULISM STUDIES; PERFORMANCE ART; POLITICAL SATIRE; QUEER THEORY
-
DANCE AND BUSINESS
-
THE DECENTRALIZATION OF DANCE CULTURE AROUND THE HEGEMONIC BODY
-
PERFORMANCE STUDIES; RITUAL THEORY; ACTING THEORY; HAUNTOLOGY; PSYCHOANALYSIS; QUEER THEORY; SPEECH ACT THEORY; GEOMANCY; AFFECT THEORY; ETHNOGRAPHY; TIBETAN STUDIES; INDO-TIBETAN BUDDHIST STUDIES
-
DOCUMENTARY THEATRE, THEATRE OF THE REAL, WAR AND CONFLICT, THEATRE IN WAR, PRECARIOUSNESS, PRECARITY STUDIES, PHOTOGRAPHY
-
EMBODIMENT; DANCE; PERFORMANCE; INTERDISCIPLINARITY; RACE; ETHNICITY; NEOCOLONIOLISM (CONCENTRATION IN THE REGION OF FORMER YUGOSLAVIA); CRITICAL THEORY
-
QUEERNESS AND POP MUSIC, DISABILITY THEORY, LITERARY AND CRITICAL THEORY, DIGITAL CULTURE, QUEER TEMPORALITY
-
THEATRE: ACTING AND DIRECTING; ANNE BOGART'S VIEWPOINTS; RICHARD SCHECHNER'S RASABOXES; AUGUSTO BOAL'S THEATRE OF THE OPPRESSED
-
CRITICAL RACE THEORY/WHITENESS STUDIES; DANCE/MOVEMENT STUDIES; (ORDINARY) AFFECT THEORY
-
PERFORMANCE AND THEATER STUDIES; POLITICAL ACTIVISM; ARTIVISM; MUSEUM STUDIES; FEMINIST THEORY; LATIN AMERICAN STUDIES
-
THE BODY; FEMALE BODIES ONSTAGE; ENERGY/AFFECT CULTIVATION AND THEATER ARCHITECTURE; THE CHOREOGRAPHED AUDIENCE AND ETIQUETTE
-
DIGITAL TECHNOLOGY; NEW MEDIA; SOCIAL MEDIA; COMMUNICATION; COMMUNITY; IDENTITY; LIVENESS; ARCHIVE; DOCUMENTATION; DUPLICATION; PERFORMATIVE WRITING; PRACTICE BASED RESEARCH; EXPERIMENTAL PERFORMANCE; INFORMATION TECHNOLOGY
-
DANCE STUDIES, PORN STUDIES, QUEER THEORY, MEDIA STUDIES
-
DANCE HISTORY; DANCE (CONTEMPORARY DANCE PRACTICES); ANTHROPOLOGY; GEOGRAPHY; AESTHETICS
-
CURATORIAL THEORIES AND PRACTICES IN RELATION TO PERFORMANCES; MUSEUM STUDIES; ARCHIVAL STUDIES; DANCE AND MOVEMENT STUDIES; LABOR STUDIES; IDENTITY POLITICS; DECOLONIAL STUDIES
-
SOCIAL PRACTICE ART; ECOLOGICAL ART; CREATIVE COMMUNITY ENGAGEMENT; THEATRICAL PAGEANTS; CEREMONIAL & RITUAL ART AND PERFORMANCE